Thursday, December 26, 2013

Cannibalistic War Pigs

     I thought this one was especially interesting. I heard it mentioned on "The Zeitgeist Movement Global Radio" Podcast Episode#134 Dec. 18th, 2013
    It was briefly mentioned to punctuate a point about the absurd level of amorality being practiced. Our technology is outpacing our ability to ask questions like "Should we be doing this?".
   (main topic of podcast was Drones, NSA, military technology and robotic warfare.... KILLING MACHINES)


Military EATR Robot Could Feed On Dead Bodies On Battlefield

http://www.huffingtonpost.com/2009/07/15/military-eatr-robot-could_n_233418.html

The huffington post article was incomplete and said "read the full article on FOXnews".

Of corse, the Foxnews article had a slightly different slant when describing military, robotic killing machines that can be fueled by eating corpses. They chose the headline title:


Biomass-Eating Military Robot Is a Vegetarian, Company Says

ok, fair enough. Paint the concept of killing any color you want, I guess.

but then, the Foxnews article seems to only consist of the words "The story that originally appeared at this address has been revised.
Click here to read the revised story."
:p

"Despite the far-reaching reports that this includes “human bodies,” the public can be assured that the engine Cyclone (Cyclone Power Technologies Inc.) has developed to power the EATR runs on fuel no scarier than twigs, grass clippings and wood chips -- small, plant-based items for which RTI’s robotic technology is designed to forage. Desecration of the dead is a war crime under Article 15 of the Geneva Conventions, and is certainly not something sanctioned by DARPA, Cyclone or RTI." Says the revised Fox News article.





                                                   Artist's Rendition.

Wednesday, December 4, 2013

Notes for the Economic Calculation in a Natural Law/RBE lecture video



Peter Joseph, founder of the Zeitgeist Movement Global,  gave a lecture in Berlin,
Germany on November 12th, 2013 about the economoic calculation in an NL/RBE.
The lecture was streamed live on the internet but wasn't released as a video until
December 3, 2013. 

While watching the video I have been making notes included with time stamps to
serve as a table of contents for the video lecture. This can be used by anyone who
wants to skim the notes in order to find out where in the video that specific topic
was discussed, rather than needing to rewatch the whole video or remember
where certain things were covered. 

Here is the video followed by the notes. 


2:00      Part 1:     Why Change?
            Part 2:     Post-Scarcity
            Part 4:     Economic Organization and Calculation

9:09      "[The] excess use of the earth's resources or 'overshoot' is possible
            because resources can be harvested faster than they can be
            replaced...the cumulative overshoot from the mid-1980's to 2002
            restulted in an 'ecologocal debt' that  would require 2.5 earths to pay.
            In a business-as-usual scenario, our demands on planet earth could
            mount to the productivity of 27 planets by 2050"
            (Fig. 4)
             -Marine Ecology Progress Series, Vol. 434:p261, 2011

9:30       And there's no shortage of other corroborating studies. To one degree
             or another we are indeed greatly overshooting the annual production
             capacity of the earth.  Coupled with pollution & collateral distraction
             caused by industrial and consumer patterns. Again this kind of research
             has been published for many decades, now, & why is it, that with all
             this mounting data, we can't seem to curb life support depletion &
             our overshooting consumption trends?
           
10:10     Is it because there are too many people on the planet? Is it because
             we're just utterly incompetent and have no conscious control over
             our actions? NO...

15:00     Morality as opposed to what works or doesn't.

17:30     Class Warfare

18:30     Inequality is a mathematical result of market competition.

19:10     Stuctural Classism

21:00     "The market generates desperation as its method of coersion"

21:30     'Free' market contradiction.
             Only the rich perhpas the super rich who have no need to worry about
             basic survival due to their wealth could possibly be said to engage of
             'voluntary free trade'.

22:30     Socio-economic inequality is a form of poison that effects peoples'
             psychological health in profound ways.

22:50     Structural violence.

24:00     Health related to inequality.

26:45     More examples of Structural Violence
             1.5 million children die yearly from diarrheal diseases  that are utterly
             preventable

27:50     Physical violence linked to poverty

28:37     Aristotle quote, "poverty is the parent of revoluion and crime."

28:40     Gandhi "poverty is the worst form of violence."

29:00     Preventable (poverty)

29:12     Solving social inequality is not just a nice thing to do; it is a public health
             imperative just like making sure our water isn't polluted so we don't get
             diseases.

29:25     It's a form of blowback.

29:55     People feel that society doesn't care about them.

30:20     The New Civil Rights Movement


31:01     PART II: POST SCARCITY
                            An Abundance focused Worldview

31:15     A Natural Law/Resource Based Economy is not a Utopia.

31:20     The Zeitgeist Movement seeks a high-relative-sustainable abundance,
             relieving the most relevant forms of scarcity.

31:45     –Relative/Sustainable abundance.
             –focus on most relevant forms of scarcity.

32:10     The market cannot differentiate between needs and wants and this gets to
             the roots of our value system disorder which continues to distort our
             culture.

33:35     Matt Berkowitz interview with famous Austrian economist.

34:29     A 'Post-Scarcity' or "abundance" worldview, with an active recognition
             of the natural limits of consumption on the planet. Seeking equilibrium.

34:50     technology makes it currently possible to have abundance for all the
             worlds people without need to compete.

35:15     "Ephemeralization" term from Buckminster Fuller. More with less.
             Energy/Resource Use inverse to efficiency/Power.

35:45     Moore's Law.

36:30     High Standard of living? What is meant?

36:45     If we as a society wish to keep the value of constant materialism, growth
             and consumption promoting the virtue of having infinite wants then we
             might as well just kill ourselves right now...As that is going to be the end
             result if we continue to push past the limits of the physical world with
             respect to our resource exploitation and the loss of bio-diversity.

37:35     4 categories to cover in post-scarcity.
             •food abundance–
             •water abundance–    
             •Energy A–
             •Material A–
                        ⬊ very conservative assesment for: using statistics that have been
                           put into industrial use, not theoretical.

38:00     Food  According to UN, one out of every 8 on earth suffer from chronic
             under nourishment.

38:20     Current world agriculture production of calories info (2,720 kilo calories
             per person)

38:45     According to the Institution of Mechanical Engineers:
             30 - 50% (or 1.2 - 2 billion tonnes) of all food produced never reach a
             human stomach. Figure does not reflect that large amounts of land, energy,
             fertilizers and water have also been lost in the production of food stuffs
             which simply end up as waste.
           

39:30     Vertical Farming

40:05     Vertical Farm in Singapore-example.  $3 per month electric

40:35     Students at Columbia University determined that to feed 50,000 people,
             a 30 story farm...
               ⬋
40:53     30 Story farm on 6.4 acres = feed 50,000 people
             78 farms, using 0.1% Los Angeles
             land Area = feed 3.9 million

41:15     Apply this to earth population of 7.2 billion.  Need about 144, 000 verti-
             cal farms to feed the whole world.  921,000 acres of land – given that
             about 38% of earth's land is currently being used for traditional agri-
             culture, we find that we only need about .006% of the earth's existing
             agricultural requirements. If the current agricultural acreage was used to
             put 30 story vertical farms side by side, then the food production would
             be enough to feed 34,440,000,000,000 (34 trillion people).

42:25     We only need to harness about 0.02% of this theoretical capacity to feed
              9 billion (2050 population)

42:40      Makes any argument moot.

42:45      Water: According to World Health Organization, about 2.6 billion people
              half of the developing world- lack proper santitation and about 1.1 billion
              have no access to any clean drinking water.

43:05      2025 predictions of water scarcity
              Cause? Waste and pollution.

43:30      Purification: Water Purification stats for World.

46:55      Water Purification for Africa example.

48:35      Energy:

49:22      Geothermal Abundance Comparison.

49:25      2006 MIT report on Geothermal

49:40      Total energy consumption of all countries on planet is about 0.55 ZJ per
              year.

51:10      2013 Ethiopian geothermal plant used for statistical extrapolations. Facts
              and figures.

52:25      Wind Farms
              Breaking it down...

54:30      Solar Fields

55:40      4.1% of the world's deserts would suffice to power the world with solar.

55:45      Water based power. 5 dominant types.

56:00      Stats – Global potential using existing methods.

57:00      Energy Recap   –Systems thinking.

57:56      Localization/Reuse schemes

59:20      Peizo-electric

59:45      using Piezo-electric for highways.

1:00:20   Material Abundance

1:00:50   Inefficiency is the driver of profit

1:02:09   Access not Property

1:03:05   'Property' is not empirical, it is a protecionist contrivance.

1:03:45   Designed In Recycling – zero waste

1:04:20   Nanotech Recycling

1:05:20   Conformation of good design to the most (a) conducive & (b) abundant
              materials known.

1:05:35   Efficiency = Conducive, abundant.

1:06:00   Home construction, current inefficiency. 40% wasted materials.

1:07:00   Design Conduciveness for Labor Automation
              3 distinctions. Human Assembly = handmade
              Mechanization = Humans assist the machine.
              Automation = No human action.

1:09:00  "Everything (products) is the same? No.

1:09:45  Section conclusion with quote by Buckminster Fuller.

1:11:00  Part 3- Economic Organization and Calculation.

1:12:05  Definition of an economic model.

1:12:30  "Rarely if ever, is anything said about public or ecological health (in traditional
               or market based economic modeling). Why? Because the market is 'life blind'
               and decoupled from the science of life support and sustainability- It is simply
               a proxy system."

1:12:45  Sustainability and efficiency protocols.
              Arriving at decisions via Natural Sciences.

1:13:35  Structural system goals.
              What are the structural system goals of capitalism?
              Capitalism's structural goal is growth and maintaining  rates of consumption
              high enough to keep people employed at a given time; employment requires
              a culture of of real or perceived inefficiency and that essentially means the                       preservation of scarcity in one form or another.

1:14:15  An NL/RBE's goal.

1:14:28  System Overview.  The myth that the system is 'centrally planned'. No.

1:14:50  This model is a collaborative design system (CDS), Not centrally planned.
              It is based entirely upon public interaction facilitated by programmed,
              Open Sourced systems that enable a constant, dynamic feedback flow that
              can literally allow the input of the public on any given industrial matter,
              whether personal or social.

1:15:15  Common Question, "Well, who programs this system?"
              Sustainability and efficiency factors are not a factor of opinion.

1:16:00  Open Source.

1:16:20  What about private ownership of the means of production?

1:17:00  Means of production in capitalism must be owned by the capitalist...
              The need for price. The Price Mechanism.

1:18:20  Is there another way? Without price system?

1:18:45  Completely eliminate exchange and create a direct link between the consumer
              and the means of production itself. The consumer becomes part of the means
              of production and the industrial complex, if you will becomes nothing more
              than a tool that is accessed by the public to generate goods.

1:22:15  Structure and process.
              (1) Collaborative Design Interface and Industrial Schematic.
              (2) Resource Management, feedback and value.
              (3) General principals and the Macro-Calculation.

1:22:33  The Collaborative Design Interface is basically the new market. Open-source
              and open-access comes in the form of a website.

1:24:25  Computer aided design/engineering.

1:24:40  Learning curve will decrease over time.

1:25:45  Digital Physics for virtual testing.

1:27:00  Designs are put through efficiency filters (5).

1:28:45  Military efficiency and standardization.

1:29:45  Strategic design conducive for Labor Automation.

1:30:30  Industrial Complex Layout.

1:30:55  Production, actual manufacturing would evolve as automated factories which
              are able to produce increasingly more with less materials, inputs and less machines-
              ephemeralization.

1:31:50  Distribution- distribution libraries.

1:32:30  On demand production becomes more efficient.

1:32:50  Distribution Library is a direct feedback link between production, distribution
              and demand.

1:33:30  All goods have been pre-optimized for recycling.
              Zero waste economy.

1:35:08  Value measures. Scarcity and Labor Complexity.

1:35:35  Scarcity assessment scale (1 to 100).
              Example given with wood.
              Example given with metal.

1:37:10  Value calculations are done by machine due to complexity.

1:37:25  Labor complexity means estimating the complexity of a given production.

1:38:50  Macro-Calculation
              4 functions relating to stages of design, production, distribution and recycling.

1:39:35  Linear block schematic.

1:39:45  Process 1: Design schematic.

1:40:55  Process 2: Production Efficiency.

1:42:35  Process 3: Distribution Efficiency.

1:43:15  Process 4: Recycling Efficiency.

1:44:00  Concluding statement.

1:45:05  End Lecture
              Questions and Answers.


Wednesday, August 14, 2013

Exhibit "Paintings After Algebra"


"Paintings After Algebra" Exhibition of oil paintings by Neil A. Collins.
All work was produced between May 2013 and August 2013
Open Reception at Shane House. Friday, Aug. 16th, 2013
      Math was never a subject I was interested in as a youth and I actually despised it as a child in school. I began creating art seriously when I was a teenager and began painting professionally, although I am self taught.
       In the fall of 2011, I enrolled in Pima Community College, in "pre-algebra" an order to see what I had missed out on and also an order to answer some questions I had about the exponential growth of technology. I have since taken a math class each semester and finally satisfied my curiosity, this spring having taken 4 math classes over the past few years. It is a serious accomplishment for me, although it may not seem important to anyone else.
      After this last spring semester, I came out of the math with a serious urge to create art. I feel that the work has a new life in it. It is also clear to me that the math has allowed me to return to my art with new unexpected skills. These skills are both technical and conceptual.
      Math and especially algebra is all about seeing abstract relationships between things an order to work out solutions that might not be found if the problem were attacked directly. This could also be used as a way to describe art.
     The "problem" in art, can be seen as the attempt to communicate feelings and thoughts that might be lost if they were simply described using words. Instead, colors, shapes, textures and symbols are used to solve the problem of communication.
      I am also interested in basic questions such as "What is the purpose of art?" my own conclusions about this have to do with a process of feedback. I feel that it is the job of the artist to take in information (learn or experience), to then process that input (think, wonder, dream, compare, contemplate) and then to output the result (communication, creation, expression, meme-spreading). This cycle of feedback is an important aspect of my art.
      I also like the unpredictable nature of the work. Many times someone will see something completely different in one of my paintings than what I meant to say. This is wonderful Everyone should have their own experience and hopefully talking to me doesn't ruin it for them. All of these painting were created in the past 2 or 3 months, during this summer.
    My work is all for sale and I also offer "THE EASY PAYMENT PLAN".
    Enjoy!

Oil Painting "Screens and Tubes"

oi      This painting was inspired by an installation piece that I saw while reading the book "Living With Art".  The piece was called "TV Buddha"by Nam June Paik. The piece featured a Buddha statue which was sitting, looking at an image of it's self on a television screen. The Buddha was also being filmed, which was the source of it's own image on the TV.
        This is a very interesting idea, so I decided to explore it further in the context of the current NSA controversies.
        I also began thinking about America's love/hate relationship with television, which has now been transferred onto the new digital medias as well. I often see people complain about things like Facebook and teenagers who text in public. Television used to be called the "boob tube" implying that it is for stupid people or that it will make a person stupid. Modern society despises it's addiction to the "Tube" and now social media, accusing it of creating a mindless, antisocial state of zombiehood.
         Isn't it interesting though that an empty, quiet mind is in many ways held up as a virtue when it is seen in Buddhist meditation, which coincidentally many times is achieved by sitting, focusing upon some arbitrary point several feet in front of the meditator? Both the Tube medias and Buddhism seem to have a few interesting things in common. Another interesting coincidence is how they invalidate the physical experience, while placing an over-emphasis on the virtual (or spiritual).
        This makes me wonder if being "glued" to a screen, wether it be a tv or a computer, may be similar to meditation, and vice verse.




Nam June Paik. "TV Buddha" 1974, Stedelijk Museum, Amsterdam.

Monday, August 12, 2013

Sunburnt Vehicle oil painting series of 3












       One day, I was riding my bike down an alley off of 4th Ave in Tucson and I came across what looked like it had been a recent car-port explosion. There were 2 burnt vehicles and a trailer, all of which had been destroyed along with the collapsed cinders of the car-port structure. I photographed it and made this series of oil paintings.
       This series of 3 paintings is a good example of how many times art is a kind of feedback loop of ideas and the world that those ideas are about.
        Here is what I mean:
 I saw the burnt vehicles and I was inspired by the destruction, the peeling, discolored paint and the textures of heated metal. I photographed what I saw, what inspired me. Then I painted the first version (#1), paying close attention to the shapes and textures that I liked.  Next, I put away the photos and painted #2 from looking at the first painting, allowing the shape of the vehicle to conform to the satellite dish. Finally, I painted #3 from looking at the finished satellite dish painting, putting the newly resulting shape back in it's original background.
       The process of feedback intersts me. This is the way that thoughts and ideas can build, one piece informing the next. A concept could continue to change and build on earlier states but there is no clear rule to say when it is actually done.













Sunday, August 11, 2013

Oil Painting, "Sunburnt Vehicle 3"


"Sunburnt Vehicle 3", oil on panel.
21" x 23"
Completed Aug. 8th, 2013.

Oil Painting "Muted"



"Muted" Oil on panel.
16" x 16
Completed Aug. 10, 2013.

This piece is a collaboration between Pia Pilar Mogollon and myself. It began as a work of virtual photography, documenting actual events that we both witnessed and even instigated. We experimented with the alienation of an individual that will remain nameless, faceless and voiceless.
       In the world of emails and social media sites such as Facebook, if a person harasses or annoys you, they can be reported and "blocked. This is the equivalent of a digital restraining order. It's also like a  form of exile, especially if they don't know that they are blocked. What would it be like if someone had been blocked by many people in their community without being aware of it? What if when you saw them in public, their body was seen as simply greyed out? If they talked to you, their voice was "muted". As we interact increasingly online, in virtual environments, this idea of muting becomes an issue really of developing the ability to "edit" our own experiences, as we gain the freedom to choose who will talk to us and who we will have to deal with. In many ways, we are offered the choice of who will "exist" in our own realities and who wont.

Saturday, August 10, 2013

Oil Painting, "Sunburnt Vehicle 2"



"Sunburnt Vehicle 2"
Oil on Metal Satellite Dish.
22" x 32" x 4" (concave)
Completed July 25th, 2013.

Oil Painting, "Mona Lisa After Giger"


"Mona Lisa After Giger"
Oil on Panel.
22" x 32"
2013

H.R. Giger, born 5 February 1940 is a Swiss surrealist painter, sculptor, and set designer. When I was a teenager I would sit in the coffee shops of book stores like Border's and Barnes and Nobles, many times for hours looking through Giger's art books hoping to be influenced by his unique style and vision. This artist was one of my major influences and inspirations as a young person. 
     This painting is a hybrid work. I have combined 2 elements an order to explore the idea of idol and celebrity. The 2 elements combined in the piece are:
     (1) the painting style and design work of my favorite artist of my youth, H.R. Giger
 and 
     (2) my own reproduction of what I see to be the world's favorite painting, "The Mona Lisa".  

Oil Painting "Sunburnt Vehicle"



"Sunburnt Vehicle"
Oil on panel,
21" x 24"
Completed on June 19th, 2013.

Saturday, May 25, 2013

Oil Painting "Yatta (やった)"

        
Oil on panel, 32" x 48" titled "Yatta (やった)".
I very much enjoyed painting this. Pia and I are watching Heroes and I think it is my third time going through the seasons. I remember the feeling that I had when I watched for the first time. The feeling that the world was changing, or rather that something is 
happening to humanity, evolution. This is one of the first paintings I've done from a TV show character. I used a screenshot as reference material. From the Heroes Wiki: Hiro Nakamura arrives in Times Square after teleporting to New York City from Tokyo, Japan.



Saturday, May 18, 2013

Oil Painting "Conversations With The Dead Men-Massed Minds"





 Oil on gypsum panel. 48" x 60" 

Completed on May 17th, 2013.

 The concept for this painting was inspired by some ideas that I read about in a science
fiction series by Frederik Pohl, when I was 12. The Gateway series describes several interesting
future technologies which allow people's minds to be uploaded into machine storage. These
machine stored intelligences live in a digital virtual reality. The uploading of one's
consciousness into digital form can be considered a kind of afterlife or immortality,
therefore these uploaded personalities are known as "the Dead Men" or the Massed Minds.
       In the story, some people carry the uploaded minds of their ancestors around
with them in portable devices and use them for advice and consultation. They are also
used to learn from.

       I have thought about these ideas many times while listening to podcast
lectures and audiobooks. It is just like listening to "The Dead Men", learning
from uploaded thoughts of people who lived in the past.
      For the past several years I have been listening to lectures, interviews,
 and audiobooks on my ipod while I paint and work. It is an amazing medium
for education and I have learned so many things that I would never had the
time or patience to read about. many people talk about the reading of
books as if it is the only legitimate source knowledge. I rarely have time
to read and feel as if it is becoming unnecessary to spend hours reading
books due to the choices that technology allows. When I am listening
to lectures by some dead people such as Terence Mckenna, I feel as if
he is in the room, sharing his thoughts expanding my views even though
the man died in '2000'. Millions of hours of these peoples' ideas and
personalities are not lost, but instead are free to be copied, downloaded
and learned form in the form of podcasts and videos. This adds immense
wealth to the collective mind of humanity.

"Exodus from the Absurdity of Culture"


Oil on panel, 43" x 58" (big)
This painting was Very meaningful for me personally, to create. The model (Mike) and I 
have been friends for many years and actually met while riding freight trains in southern 
California. It was a time of homelessness, cheap 40 ounce bottles of Malt Liquor and 
aimless wandering. Neither one of us live that lifestyle anymore but the process of 
recovery (or what ever you want to call it) has been almost more about unraveling the 
cultural untruths than it has been about actually climbing out of economic poverty and 
substance abuse. Those, of course are only symptoms. I symbolize this idea in the 
painting by showing the absurdity of religion (the big banana in the sky).
The figure is turning his back on this religious, cultural absurdity. Even though he is
tired and worn out from it or perhaps from battling with it, there is a certain calm in the
exhaustion. And even though he seems to escape the scene, isn't it on him? He bears 
the marks of culture, he has gotten it on him. The tattoos are just as much cultural as 
anything else. Even by trying to fight culture, we are only making more of it. Whether 
this is good or bad is for each person to decide, themselves.
And if he is escaping, then where is he escaping to? The pose reminds me of the 
moment when you are hopping a freight train and you pull yourself up the ladder to 
climb aboard. Except this thing he is climbing into has the look of some futuristic thing. 
Some place that we (the audience) are in.
In a way, this painting is also multi-media because in real life I have tattooed Mike 
over the years, so it is the full art experience.






And here is a photo of the artist (me on the left), the model (Mike) and the painting.



Spellcheck By Ismist Memeworks.

Saturday, May 4, 2013

Artist Bio for Shot in the Dark Cafe, May 2013

Artist Bio for Shot in the Dark Cafe, May 2013

I was born in San Francisco, CA in 1978. I have been living and working as an artist in Tucson AZ for the past 16 years. 
"With the kinds of problems facing the world....if the expansion if consciousness does not loom large in the human future, then what kind of future is it going to be???" --- Terence Mckenna ---
    
And it is clear to me that the spreading of memes will be the primary catalyst for the salvation of the species. As an artist and thinker, my basic function is the acquisition, processing and spreading of memes. If I am doing any of these things, then I am doing art. The artist is the rudder of humanity whose job it is to direct the corse of civilization, to guide the flow of culture. I was shocked to read this paraphrased idea in the introduction to a humanities textbook when I was about 20. Arrogance? Megolomaniacal? No. The march towards greater consciousness is inevitable and it's responsibility rests on the shoulders of no individual (luckily). But it can be helped along by each thoughtful mind adding into the stream.
    The ideas of great thinkers of the past are many but there is still so much to do. To use art of every medium to translate, sift and reconfigure the data. To make them accessible to every kind of mind. To cast light on analogies and connections that had not been seen before. Technology will  enable and create new forms of media that will uncover new insights, in an unending feedback loop of creativity and information.

Neil A. Collins
neilcollinsartist@gmail.com

Saturday, April 27, 2013

"Million Year Apprenticeship" oil painting excerpt

Earth painting image for Joint art show at shot in the Dark Cafe.
This is an excerpt from the oil painting, 
titled "Million Year Apprenticeship".

Thursday, March 21, 2013

Oil Painting "Machines"


 "The Human Exhibit"
Oil on panel, 32" x 35"
 Completed on June 27, 2013. 

      This painting is in response to some ideas about the concept called the Technological Singularity. The basic idea is that because our technology grows at an exponential rate, the time approaches when the intelligence of machines may soon surpass that of humanity. In this case, what will happen?    Will we survive? Will we be replaced? Will we merge with our technologies? Perhaps machines will keep some fragment of humanity in some museum exhibit as a sentimental reminder of the reckless and foolish species. The only species capable of destroying the planet but also capable of creating their own replacements.
             
                       The simple idea of the singularity goes something like this...
      Everyone is aware that computers become smaller, more powerful and cheaper each year. In this way we can say that technology grows each year. This part is a given, but the average person doesn't have much reason to wonder if this "growth" is steady, what speed it is happening or what the implications of this growth are.
         Well, the rate of this growth has actually been charted since the 1970's and has been shown to follow a rigid and consistent trend. That trend is called Moore's Law and basically says that computing power doubles every 12-18 months. This doubling is called "exponential growth". Exponential growth is very powerful and important to understand. Let's see what it looks like by doubling some numbers. 
      We will take a number and double it 35 times. Keep an eye on the numbers to watch how they seem to grow slowly, no big deal at first. Then once they reach a certain size it gets kind of crazy!! 
       Here we go...
1,2,4,8,16,32,64,128,256,512,1024,2048,4096,8192,16384,32768,65536,131072,262144,524288, 
1048576,2097152,4194304,8388608,16777216,33554432,67108864,134217728,268435456,
536870912,1073741824,2147483648,4294967296,8589934592,17179869184.
      So, starting with the number 1 and doubling it 35 times, we reached the number 17,179,869,184. This is over 17 billion. This shows how exponential growth works. It isn't impossible to understand and it's also easy to see why the computer in your cell phone is actually more powerful than the worlds smartest supercomputer was in 1960, which took up an entire room. 
      This exponential growth is no longer limited to advancement of computers though. Now it is seen in anything that can be called "information technologies". Since it is easy to learn and grasp the concept behind exponential growth, as we saw in the experiment (1,2,4,8,16,32...) it should also be possible to ask the question "where is this going"?
      If computer power and information technologies grow at an exponential rate (doubling every year) then what will the future look like in 20 years? In 50 years? At what point do our computers become more complex than the human mind? And at what point do they become too complex for us to understand them? This is where things move into the realm of science-fiction and fantasy. Any guesses as to what will happen in the future, once you grasp this exponential growth in technology becomes impossible. 
     In the words of Carl Sagan, who was both a scientist and science-fiction writer, "If you understand exponentials, the key to many secrets of the Universe is in your hand." 
     Ray Kurzweil, inventor, entrepreneur and current chief of engineering at Google says "we will see changes in the next 90 years equivalent to the last 10,000 years, and in the next 100 years changes equivalent to the last 20,000 years." 
      What ever the case may be, it promises not to be boring and is definitely food for thought and creativity.